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Bob Thomas. Spielberg has crafted with warmth and humor a simple fantasy that works so superbly on so many levels that it will surely attract masses of moviegoers from all demographics.
Martin Kent. Steven Spielberg's E. Bruce McCabe. Not only does it get bums on seats but it encourages the kind of shared enjoyment that suggests the cinema still has something unique to offer.
Derek Malcolm. The marvel of this extraordinary movie is that it captures for even the most jaded grownup that pleasurable state of innocence and awe that only children are fortunate enough to experience.
Kathleen Carroll. Spielberg would seem to be groping towards a virtual theology of space, space as Heaven, offering solace to a world which has foolishly renounced its traditional God but still aches to extend its own spiritual frontiers.
Gilbert Adair. A parable and a fairy tale that speaks to the child in us all, and wishes that we could all be more like Elliot, and less like the grown-ups.
Matt Neal. A family-friendly, heartwarming science-fiction adventure, full of iconic sequences. Mike Massie.
Like the spirits in Poltergeist, suspended between one state of consciousness and another, Spielberg hovers somewhere between childhood and adulthood, unable and unwilling to go over the other side.
But then, where would the movie industry be if he did? Molly Haskell. Spielberg's visual inventiveness in much of E.
Paul Joannides. Some of the performances are part of the reason why it works so well I can't think of a child actor that that pulls off such emotional depth.
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She hired Institute staffers to create E. Two little people, Tamara De Treaux and Pat Bilon ,  as well as year-old Matthew DeMeritt, who was born without legs,  took turns wearing the costume, depending on what scene was being filmed.
DeMeritt actually walked on his hands and played all scenes where he walked awkwardly or fell over. The head was placed above that of the actors, and the actors could see through slits in its chest.
The Hershey Company was asked if Reese's Pieces could be used, and it agreed. This product placement resulted in a large increase in Reese's Pieces sales.
Having worked with Cary Guffey on Close Encounters of the Third Kind , Spielberg felt confident in working with a cast composed mostly of child actors.
Spielberg felt Drew Barrymore had the right imagination for mischievous Gertie after she impressed him with a story that she led a punk rock band.
The major voice work of E. She smoked two packs of cigarettes a day, which gave her voice a quality that sound effects creator Ben Burtt liked.
These included Spielberg, actress Debra Winger , his sleeping wife, who had a cold, a burp from his USC film professor, raccoons, otters, and horses.
Spielberg felt that actors in the roles, performing lines of technical medical dialogue, would come across as unnatural. It featured his character reprimanding Elliott for his behavior in biology class and warning of the dangers of underage drinking.
He is then taken aback as Elliott's chair rises from the floor, while E. The actors had to read the script behind closed doors, and everyone on set had to wear an ID card.
Spielberg shot the film in roughly chronological order to achieve convincingly emotional performances from his cast. It was also done to help the child actors with the workload.
Spielberg calculated that the film would hit home harder if the children were really saying goodbye to E. In the scene in which Michael first encounters E.
The chronological shoot gave the young actors an emotional experience as they bonded with E. For the first time in his career, he did not storyboard most of the film, in order to facilitate spontaneity in the performances.
According to Spielberg, the scene in which E. The shoot was completed in 61 days, four ahead of schedule. Longtime Spielberg collaborator John Williams , who composed the film's musical score, described the challenge of creating one that would generate sympathy for such an odd-looking creature.
As with their previous collaborations, Spielberg liked every theme Williams composed and had it included.
Spielberg loved the music for the final chase so much that he edited the sequence to suit it. The Lydian mode can also be used in a polytonal way.
Williams combined polytonality and the Lydian mode to express a mystic, dreamlike, and heroic quality. His theme—emphasizing coloristic instruments such as the harp, piano, celesta , and other keyboards, as well as percussion—suggests E.
There were allegations that the film was plagiarized from a script, The Alien , by Indian Bengali director Satyajit Ray. He stated, " E.
In his screenplay, which Ray wrote entirely in English, he described the alien as "a cross between a gnome and a famished refugee child: large head, spindly limbs, a lean torso.
Is it male or female or neuter? We don't know. What its form basically conveys is a kind of ethereal innocence, and it is difficult to associate either great evil or great power with it; yet a feeling of eeriness is there because of the resemblance to a sickly human child.
Ray first found out about E. Clarke , who was familiar with The Alien and believed it was plagiarized by E. Clarke called Ray and encouraged him to take legal action against E.
She lost the case, with the court stating "No reasonable jury could conclude that Lokey and E. Any similarities in plot exist only at the general level for which Ms.
Litchfield cannot claim copyright protection. Spielberg drew the story of the film from his parents' divorce. Critics have focused on the parallels between E.
Furthering the parallels, there is a scene in the film where Mary reads Peter Pan to Gertie. According to A.
Scott, "The suburban milieu, with its unsupervised children and unhappy parents, its broken toys and brand-name junk food, could have come out of a Raymond Carver story.
The homes here bear what the cultural critic Karal Ann Marling called 'the marks of hard use'. Other critics found religious parallels between E.
As a substantial body of film criticism has built up around the film, numerous writers have analyzed it in other ways as well. It has been interpreted as a modern fairy tale  and in psychoanalytic terms.
The film was previewed in Houston, Texas, where it received high marks from viewers. In France it opened December 1 and had , admission in its first 5 days on screens, setting an all-time record in Paris for most daily admissions Saturday, December 4.
It added another screens in Japan on Saturday, December 11, with advance sales of 1. In , E. Fan Club" offered photographs, a newsletter that let readers "relive the film's unforgettable moments [and] favorite scenes", and a phonographic record with "phone home" and other sound clips.
The Laserdisc included a minute documentary. Produced and directed by Laurent Bouzereau , it included interviews with Spielberg, producer Kathleen Kennedy, composer John Williams, and other cast and crew members.
It also included two theatrical trailers, an isolated music score, deleted scenes, and still galleries. The VHS included a minute version of the same documentary from the Laserdisc.
The film received universal acclaim. Roger Ebert gave the film four stars and wrote "This is not simply a good movie. It is one of those movies that brush away our cautions and win our hearts.
The website's critical consensus reads: "Playing as both an exciting sci-fi adventure and a remarkable portrait of childhood, Steven Spielberg's touching tale of a homesick alien remains a piece of movie magic for young and old.
Gandhi won that award, but its director, Richard Attenborough , declared "I was certain that not only would E. It was inventive, powerful, [and] wonderful.
I make more mundane movies. In American Film Institute polls, the film has been voted the 24th greatest film of all time ,  the 44th most heart-pounding ,  and the sixth most inspiring.
In , Entertainment Weekly called the film the eighth most "tear-jerking";  in , in a survey of both films and television series, the magazine declared it the seventh greatest work of science-fiction media in the past 25 years.
In , it was selected for preservation in the U. National Film Registry as being "culturally, historically, or aesthetically significant".
An extended version of the film, dubbed the "Special Edition" currently out of circulation , including altered dialogue and visual effects, premiered at the Shrine Auditorium in Los Angeles on March 16, ; it was released on home media six days later.
Certain shots of E. The spaceship's design was also altered to include more lights. Scenes shot for but not included in the original version were introduced.
These included E. Mary's dialogue, during the offscreen argument with Michael about his Halloween costume, was altered to replace the word "terrorist" with "hippie".
Spielberg did not add the scene featuring Harrison Ford, feeling that would reshape the film too drastically. He became more sensitive about the scene where gun-wielding federal agents confront Elliott and his escaping friends and had them digitally replaced with walkie-talkies.
At the premiere, John Williams conducted a live performance of the score. Peter Travers of Rolling Stone wondered "Remember those guns the feds carried?
Thanks to the miracle of digital, they're now brandishing walkie-talkies. Is this what two decades have done to free speech?